Ian Fleming's Typical Day While Writing


From the the December 1964 issue of Playboy (republished in Playboy Interviews)

PLAYBOY: Do you spend most of your time there [Jamaica] at the typewriter?

FLEMING: By no means. I get up with the birds, which is about half past seven, because they wake one up, and then I go and bathe in the ocean before breakfast.  We don’t have to wear a swimsuit there, because it’s so private; my wife and I bathe and swim a hundred yards or so and come back and have a marvelous proper breakfast with some splendid scrambled eggs made by my housekeeper, who’s particularly good at them, and then I sit out in the garden to get a sunburn until about ten.  Only then do I set to work.  I sit in my bedroom and type about fifteen hundred words straightaway, without looking back on what I wrote the day before.  I have more or less thought out what I’m going to write, and, in any case, even if I make a lot of mistakes, I think, well, hell, when the book’s finished I can change it all.  I think the main thing is to write fast and cursively in order to get narrative speed.

Then, about quarter past twelve, I chuck that and go down, with a snorkle and a spear, around the reefs looking for lobsters or whatever there may be, sometimes find them, sometimes don’t, and then I come back, I have a couple of pink gins, and we have a very good lunch, ordinary Jamaican food, and I have a siesta from about half past two until four.  The I sit again in the garden for an hour or so, have another swim, and then I spend from six to seven—the dusk comes very suddenly in Jamaica; at six o’clock it suddenly gets very dark—doing another five hundred words.  I then number the pages, of which by that time there are about seven, put them away in a folder, and have a couple of powerful drinks, then dinner, occasionally a game of Scrabble with my wife—at which she thinks she is very much better than I am, but I know I’m the best—and straight off to bed and into a deep sleep.

Vivaldi & Time


In Episode 7 of The Ascent of Man titled “The Majestic Clockwork” Jacob Bronowski discusses the Theory of Relativity.

In Episode 8 of Cosmos titled “Journeys in Space and Time” Carl Sagan discusses this same topic.

Both episodes have Vivaldi’s Winter mvt 1. Allegro non molto playing in the background while doing so.

Sagan, who was inspired to do Cosmos by seeing The Ascent of Man most likely did this as a hat tip to Bruno, or subconsciously chose it. The subject matter and the song both deal with the passage of time.

Just an interesting thing I noticed today while geeking out, that I thought I’d should share.

(via matthewlyons)

Dr. Jacob Bronowski (via jovike)

(via matthewlyons)

Dr. Jacob Bronowski (via jovike)

Found In The Snell Library Stacks

Found In The Snell Library Stacks

Flying Toy (Design Patent 183,626)
“By doubting we come to enquiry, and through enquiry we perceive truth.”

Peter Abelard
“Someday we’ll find it, the rainbow connection,
the lovers, the dreamers and me.”

via FFFFOUND
“They will put themselves out of themselves, and escape from being men; ‘tis folly; instead of transforming themselves into angels, they transform themselves into beasts; instead of elevating, abase themselves.”